Guido Molinari, Sans titre, 1986-1988. 243 x 213 cm, acrylique sur toile. Collection Fondation Guido Molinari. Photo : Guy L’Heureux

Rea, John : Objets perdus (1991)

Recognizing a common object consists Above all in knowing how to make use of it   Bergson

Each object is the mirror of all the others.   Merleau-Ponty

C’est en rentrant dans l’objet qu’on rentre dans sa propre peau.   Matisse

I look at what I am losing And do not see what remains.   Molière

Music, not being made of objects nor referring to objects, is intangible and ineffable; it can only be … inhaled by the spirit: the rest is silence.   Jacques Barzun

Objets perdus (lost objects), dispersed among twelve progressively expanding move- ments (the first being very short in duration), evolve over time as musical materials disappear along the way; one may certainly consider what one is losing, but one should also listen for what remains.

This work was commissioned by the Arditti String Quartet, to whom it is dedicated, thanks to a grant fron the Canada Council. This work received the Governor-General Award (Prix Jules-Léger) in 1992.

John Rea

 

Listen to John Rea speak about his string quartets in the podcast «Le studio du Quatuor Molinari» by following this link ce lien

The score and parts are available through the Canadian Music Centre, Quebec region, Montreal office :

https://cmcquebec.ca/

 

John Rea

Recipient of many awards and commissions, John Rea has composed in several genres: chamber music, music-theater, electroacoustic, and works for orchestra, ballet, choral, and opera. He also writes on music, and has published numerous texts. For the past twenty years, his re-orchestration for 21 players of Alban Berg’s Wozzeck, op.7 — commissioned and first performed by the Nouvel Ensemble Moderne in 1995 — has been performed in a dozen new productions around the world. Up until 2019, John Rea taught composition, music theory, and orchestration at McGill University where he served as Dean of the Faculty of Music (1986-1991), today the Schulich School of Music. He co-founded two musical societies in Montreal (Les Événements du neuf, and Traditions musicales du monde), and for twenty-five years was a member of the artistic committee of the Société de musique contemporaine du Québec.
JRea (2003)

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